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Astrid Klein Exhibition
Taro Nasu
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Artists
Astrid Klein
Since the late 1970s, Astrid Klein has been active as a standard-bearer in Europe for “the Pictures Generation” in America, which is said to have played an important role in postmodernism. Using montage and likening techniques that borrow from the grammar of the film language, Klein’s works attempt to expose the problems hidden behind the relationship between image and text across paintings, collages, photographs and installations. In recent years, they have received new attention. The strong influence of French Nouvelle Vague films, the New Wave movement in film and art in France and popular culture is clearly reflected in her work, but at the same time, it can be said that her works also demonstrate a fresh critical spirit, with pressing contemporary issues such as the economy, violence, life and death, social and gender roles.
This exhibition will feature 9 works from her representative series.
In her series of white paintings, created between 1988 and 1993, she explores the boundaries with the concept of “presenting the unpresentable.” Drawing inspiration from the work of follow artists such as Agnes Martin, Robert Ryman and Piero Manzoni, she uses alabaster and zinc white to blend textures into her “white on white” painting, creating a painterly effect on canvas. On the other hand, the fragments of text and language hidden beneath the white paint quietly assert that the awareness of social issues lying behind the images which she has consistently pursued continues here as well.
The large format works of the 1980 series Broken Heart use excerpts of text from Arno Schmidt’s seminal work Zettels Traum (1970) in relation to the representation of women in cinema and photonovels from the 60s and 70s. The latter were affected by a voyeuristic, masculine perspective along with this the fetishisation of the female form. In the collages, Astrid Klein links textual and pictorial material on a visual level that not necessarily share the same semantic level. This creates a context, in which new meanings are revealed.
This exhibition will feature 9 works from her representative series.
In her series of white paintings, created between 1988 and 1993, she explores the boundaries with the concept of “presenting the unpresentable.” Drawing inspiration from the work of follow artists such as Agnes Martin, Robert Ryman and Piero Manzoni, she uses alabaster and zinc white to blend textures into her “white on white” painting, creating a painterly effect on canvas. On the other hand, the fragments of text and language hidden beneath the white paint quietly assert that the awareness of social issues lying behind the images which she has consistently pursued continues here as well.
The large format works of the 1980 series Broken Heart use excerpts of text from Arno Schmidt’s seminal work Zettels Traum (1970) in relation to the representation of women in cinema and photonovels from the 60s and 70s. The latter were affected by a voyeuristic, masculine perspective along with this the fetishisation of the female form. In the collages, Astrid Klein links textual and pictorial material on a visual level that not necessarily share the same semantic level. This creates a context, in which new meanings are revealed.
Schedule | Nov 22 (Fri) 2024-Dec 21 (Sat) 2024 Opening Hours Information
Opening Reception Nov 22 (Fri) 2024 17:00 - 19:00 | ||||
|---|---|---|---|---|---|
| Fee | Free | ||||
| Venue | Taro Nasu http://www.taronasugallery.com/en/  | ||||
| Location | 4F Piramide Bldg., 6-6-9 Roppongi, Minato-ku, Tokyo 106-0032 | ||||
| Access | 2 minute walk from exit 1b at Roppongi Station on the Hbiya or Toei Oedo line, 12 minute walk from exit 3 at Nogizaka Station on the Chiyoda line, 13 minute walk from exit 7 at Azabu-juban Station on the Namboku or Toei Oedo line. | ||||
| Phone | 03-5786-6900 | ||||
| Related images | Click on the image to enlarge it  |
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