Exhibition/event has ended.
Fujiko Shiraga Exhibition
Fergus McCaffrey, Tokyo
Finished
SHARE
Artists
Fujiko Shiraga
Fergus McCaffrey, Tokyo is very proud to present the first solo exhibition of the works of Gutai artist Fujiko Shiraga, opening Saturday January 18, 2025.
Shiraga was born in Osaka Prefecture, Japan in 1928. She graduated from Osaka Prefecture Otemae High School in 1946 and two years later, she married Kazuo Shiraga (1924-2008). Shiraga and Kazuo Shiraga were both members of the avant-garde art collective Gutai. Like many other Gutai artists, Shiraga received no formal training as an artist and her earliest extant works date from 1955 and came under the guidance of Gutai founder, Jiro Yoshihara.
During the latter half of the 1950s, Shiraga's experiments with paper yielded collages. She wetted and glued large sheets of monochromatic Japanese paper of different weights and transparencies before manually distressing them with concave and convex forms pressed with her hands. She would then tear through several of the layers of the conjoined paper to leave a semi-transparent vertical slit. On other occasions, while using the same multi-layered distressed paper, her torn patterns became entirely free-form.
Her paintings from 1957 and 1958 took the form of vertical stripes of silver paint on dark ground and gravity-fed rivers of diluted green pigment on raw paper which were then mounted and displayed on boards. In 1960, Shiraga started to work on stretched canvases where she added encaustic wax to her abstract compositions as a bonding and pigment bearing agent. She also started to include broken glass within her paintings, which paradoxically ushered her solo career to an early end in 1961 as the incompatibility of Shiraga's new material and her husband’s bare-foot painting technique became apparent.
Simultaneously, the commercial success of Kazuo Shiraga’s paintings in Europe encouraged the couple to adopt a studio practice where Kazuo Shiraga painted while Shiraga prepared the oil paints and advised on the colors to be used. This practice continued for the rest of Kazuo Shiraga’s career.
Fujiko Shiraga’s work has been exhibited in every major Gutai survey including those at Museo Cantonale d’Arte, Lugano (2010); New National Museum, Tokyo (2012); and the Solomon R. Guggenheim Museum, New York (2013). Shiraga’s works are included in the permanent collections of the Hyogo Prefectural Museum of Art, Kobe; Ashiya City Museum of Art and History; Nakanoshima Museum of Art, Osaka; The Art Institute of Chicago; Rachofsky Collection/Dallas Museum of Art; Takamatsu City Museum of Art, the Miyagi Museum of Art, Sendai; Artizon Museum, Tokyo; and National Museum of Art, Osaka. She passed away on January 17, 2015 in Amagasaki, Japan.
Shiraga was born in Osaka Prefecture, Japan in 1928. She graduated from Osaka Prefecture Otemae High School in 1946 and two years later, she married Kazuo Shiraga (1924-2008). Shiraga and Kazuo Shiraga were both members of the avant-garde art collective Gutai. Like many other Gutai artists, Shiraga received no formal training as an artist and her earliest extant works date from 1955 and came under the guidance of Gutai founder, Jiro Yoshihara.
During the latter half of the 1950s, Shiraga's experiments with paper yielded collages. She wetted and glued large sheets of monochromatic Japanese paper of different weights and transparencies before manually distressing them with concave and convex forms pressed with her hands. She would then tear through several of the layers of the conjoined paper to leave a semi-transparent vertical slit. On other occasions, while using the same multi-layered distressed paper, her torn patterns became entirely free-form.
Her paintings from 1957 and 1958 took the form of vertical stripes of silver paint on dark ground and gravity-fed rivers of diluted green pigment on raw paper which were then mounted and displayed on boards. In 1960, Shiraga started to work on stretched canvases where she added encaustic wax to her abstract compositions as a bonding and pigment bearing agent. She also started to include broken glass within her paintings, which paradoxically ushered her solo career to an early end in 1961 as the incompatibility of Shiraga's new material and her husband’s bare-foot painting technique became apparent.
Simultaneously, the commercial success of Kazuo Shiraga’s paintings in Europe encouraged the couple to adopt a studio practice where Kazuo Shiraga painted while Shiraga prepared the oil paints and advised on the colors to be used. This practice continued for the rest of Kazuo Shiraga’s career.
Fujiko Shiraga’s work has been exhibited in every major Gutai survey including those at Museo Cantonale d’Arte, Lugano (2010); New National Museum, Tokyo (2012); and the Solomon R. Guggenheim Museum, New York (2013). Shiraga’s works are included in the permanent collections of the Hyogo Prefectural Museum of Art, Kobe; Ashiya City Museum of Art and History; Nakanoshima Museum of Art, Osaka; The Art Institute of Chicago; Rachofsky Collection/Dallas Museum of Art; Takamatsu City Museum of Art, the Miyagi Museum of Art, Sendai; Artizon Museum, Tokyo; and National Museum of Art, Osaka. She passed away on January 17, 2015 in Amagasaki, Japan.
Schedule | Jan 18 (Sat) 2025-Mar 1 (Sat) 2025 Opening Hours Information
| ||||
|---|---|---|---|---|---|
| Fee | Free | ||||
| Website | https://fergusmccaffrey.com/exhibition/fujiko-shiraga/ | ||||
| Venue | Fergus McCaffrey, Tokyo http://fergusmccaffrey.com/exhibitions/ | ||||
| Location | 3-5-9 Kita-aoyama, Minato-ku, Tokyo 107-0061 | ||||
| Access | 3 minute walk from exit A3 at Omotesando Station on the Ginza, Hanzomon and Chiyoda lines. 11 minute walk from exit 5 at Meiji-jingumae Station on the Chiyoda and Fukutoshin lines. | ||||
| Phone | 03-6447-2660 | ||||
| Related images | Click on the image to enlarge it         |
Back to Articles
SHARE
No comments yet