Nanzuka Underground（Omotesando, Aoyama）

Nanzuka Underground

Stickymonger Sun-visor Sorority 2025 Aerosol paint on shaped canvas H103 x W149 x D3.5 cm / H40.5 x W58.5 x D1.4 inch

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Omotesando, Aoyama

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Jang Koal Soft Sea Urchin 2024 Acrylic on mulberry paper mounted on wood panel H92.5 x W192 x D4 cm

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Toshio Saeki "Ookubi (Giant Head)" 1988 Ink on paper, colormarker on tracingpaper H30 x W39.4 cm H62.7 x W46.7 x D2.4 cm (framed)

Hiroh Kikai 《A man who muttered "That's an expensive camera"》 1986 / printed 1998 silver-halide prints on paper H50.5 x W40.6 cm

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Ivy Haldeman "Mirror, Thigh High, Recline, Shoes Loose" 2024 Acrylic on Canvas H212 x W146 cm / H83.5 x W57.5 inch

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[Image: Koichi Sato "Could This Job be Replaced by AI?" 2024 Acrylic and oil on canvas H177.8 x W116.8 cm]

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[Image: Hebru Brantley "I'll Huff and I'll Puff (The Morning Call)" (2023), acrylic, diamond dust, oil pastel, spray paint, canvas, collage on canvas, H223.5 x W175.3 cm ©Hebru Brantley Courtesy of NANZUKA]

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[Image: Julia Chiang Remember That Time When What Acrylic on wood panel H122 × W244 cm (diptych) H48 x W96 inch (diptych)]

[画像: Kenny Scharf AKAO | 2023 | Acrylic & oil on linen with powder coated aluminum frame | H152.4 x W182.8 cm]

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[Image: Hajime Sorayama "Untitled" (2023) Acrylic, digital print on canvas H278.8 x W197 º D4 cm (diptych) ©Hajime Sorayama Courtesy of Nanzuka]

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[Image: Jonathan Chapline "Constructions (Erasure)" (2023), acrylic and flashe on canvas over panel, H102 x W81 cm]

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[Image: Todd James "Pentagon Pile Up" (2023), PVC, ABS, H35 x W18.9 x D17.4 cm]

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[Image: Matthew Palladino "Large Bloom (Pink)" (2022) Acrylic ink on watercolor paper H117 x W94 cm (excl. frame)]

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[Image: Joakim Ojanen "Skulls and flowers?! How did I end up here?" 2022 H58 x W35 x D31 cm Glazed stoneware]

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[Image: Hiroki Tsukuda "New Family" 2022, charcoal, acrylic ink, and pencil on paper, wood panel, with silkscreen printed acrylic frame, H175 x W125 x D4.3 cm, ©Hiroki Tsukuda Courtesy of Nanzuka]

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[Image: FriendsWithYou "A Beautiful Place II" (2019), Oil stick & oil pastels on raw un-stretched canvas, H182 x W549 cm, ©FriendsWithYou, Courtesy of Nanzuka]

[Image: Marion Peck Girl with a Puppy 2021 Oil on panel with resin H30 x W20 cm (excl. frame) H54.2 x W47 x D5.5 cm (incl. frame) ©Marion Peck Courtesy of Nanzuka]

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[Image: Roby Dwi Antono (2021) Oil sticks, oil pastels, pencil on reverse canvas ©Roby Dwi Antono Courtesy of Nanzuka]

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[Image: Christian Rex van Minnen "Strawberry Tears" (2021) Oil on panel H183 x W132 x D5cm ©Christian Rex van Minnen Courtesy of Nanzuka]

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[Image: Haroshi 2021 Carved skateboard elements H182 x W365 x D2 cm ©Haroshi Courtesy of NANZUKA]

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[Image: Masato Mori, 2020, Acrylic paint, acrylic spray, oil chalk, oil paint on canvas H205 x W205 x D3.5 cm]

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[Image: Keiichi Tanaami, Inconceivable Symposium 2018 Pigmented ink, acrylic silkscreen medium, crashed glass, glitter acrylic paint, acrylic paint on canvas H141.6×W188.8×D4cm ©Keiichi Tanaami Courtesy of NANZUKA]

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[Image: Hajime Sorayama "Untitled" (2019) Acrylic on illustration board H51.5 × W72.8 ©Hajime Sorayama Courtesy of Nanzuka]

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[Image: Hiroh Kikai "A man who used to ride a Harley-Davidson", printed 1995,Photograph on paper H50.5 x W40.6 cm ©️Hiroh Kikai Courtesy of NANZUKA ]

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[Image: Hiroki Tsukuda, "Stone Temple" (2018) Ink, charcoal, and color pencil on paper H122.5 x W122.5cm]

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[Image: Copyright by Keiichi Tanaami, Oliver Payne Courtesy of the artists and NANZUKA]

Nanzuka Underground

Stickymonger "See-Through"