Mori Art Museum（Roppongi, Nogizaka）

Mori Art Museum

Ron Mueck
In Bed
2005
Mixed media
162 x 650 x 395 cm
Collection: the Fondation Cartier pour l’art contemporain
Installation view: Ron Mueck, National Museum of Modern and Contemporary Art, Seoul, 2025
Photo: Nam Kiyong
Photo courtesy: the Fondation Cartier pour l’art contemporain, National Museum of Modern and Contemporary Art, Korea

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Roppongi, Nogizaka

六本木クロッシング2025展：時間は過ぎ去る わたしたちは永遠

A.A.Murakami New Spring 2017 Aluminum, robotics, bubble, fog, and scent 700 x 700 x 700 cm Installation view: Studio Swine x COS, New Spring, Salone del Mobile 2017, Milan

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Hao Jingban "I Witness" 2025 3-channel video installation 54 min. 41 sec. Courtesy: Blindspot Gallery

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Sonia Boyce "Devotional Wallpaper and Placards" 2008-2022 100 placards and wallpaper installation Dimensions variable Courtesy: Manchester Art Gallery Installation view: Sonia Boyce, Manchester Art Gallery, Manchester, UK, 2018 Photo: Mike Pollard © Sonia Boyce. All rights reserved, DACS & JASPAR 2025 G4025

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ikkibawiKrrr "Seaweed Story" 2022 5 min. 22 sec.

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藤本壮介の建築：原初・未来・森

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Cao Fei Hip Hop - Guangzhou 2003 DVD, color, sound 3 min.

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Installation view: Christine Sun Kim, Cues on Point, Secession, Vienna, Austria, 2023 Photo: Oliver Ottenschläger Courtesy of the Artist and Secession and François Ghebaly Gallery

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Kinema Junpo Special Edition, Underground ’68 Shock! August, 1968 © Tadanori Yokoo

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マシン・ラブ：ビデオゲーム

Kim Ayoung《Delivery Dancer’s Sphere》 2022 Video 25 min.

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Katayama Mari beast 2016 Lambda print, original frame 120 x 120 cm Installation view photo: Kioku Keizo

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Gabriel Abrantes "Two Sculptures Quarreling in a Hotel Room" 2020 Video, color, sound 1 min. 24 sec.

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Haig Aivazian "All of Your Stars Are But Dust on My Shoes" (2021) Video 17 min. 34 sec.

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蜘蛛の彫刻や、タイトルに地獄が入っていることから、ブルジョアは男だと思っていた。作品は乳房や性器などセクシャルなものが多かったので、女好きな人だったのかと初めは思っていたが、後から作者が女性ということを知り、だいぶ見方が変わった。それでも、作者の頭の中の無意識を具現化したような作品に狂気を見たような感じがして良かった。

「ルイーズ・ブルジョワ展：地獄から帰ってきたところ 言っとくけど、素晴らしかったわ」

[Image: Louise Bourgeois "Maman" (1999/2002) Bronze, stainless steel, marble 9.27 x 8.91 x 10.23m Collection: Mori Building Co., Ltd., Tokyo]

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Bady Dalloul "A Country without a Door or Windows" (detail) (2016-2024) Ball-point pen and marker on Bristol board, framed in matchbox　Dimensions variable　Installation View: Our World Is Burning, Palais de Tokyo, Paris, 2020　Photo: Aurélien Mole　Photo courtesy: Palais de Tokyo

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アフロ民藝、日本の職人とのコラボレーションが興味深い。

最後のミラーボールエリアは楽しかった。
他人の大量の作品など、ちょっと変わった展示で、楽しませていただきました。

シアスター・ゲイツ

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[Image: Nguyen Trinh Thi
"47 Days, Sound-less"
(2024)
3-channnel video, black and white and color, sound, mirrors
30 min.]

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[Image: Kuo I-Fen, Lu Ming-Te
"Silent Body"
(1987)
Performance, 5-channel video (black and white, silent), CRT monitor, branch, and white cloth
Dimension variable
Installation View: Experimental Art: Action Space, Taipei Fine Arts Museum, 1987]

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[Image: Lin Chun-Chi
"Das Glas II (The Glass II)"
(1997)
Video, color, sound
9 min. 14 sec.
Photo: Sandra Liessmann]

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Tanaka Koki
Mobility and Extinction
2024
©Koki Tanaka

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森美術館開館20周年記念展 私たちのエコロジー

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[Image: Hiraki Sawa "Hako" (2007), video, color, stereo, 6-channel installation, 12 minutes (loop)]

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[Image: Jinushi Maiko Drawing for Mishearings 2023 Courtesy: HAGIWARA PROJECTS, Tokyo]

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[Image: The Karrabing Film Collective The Mermaids, or Aiden in Wonderland 2018 Video 26 min. 29 sec.]

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ワールドクラスルーム

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六本木クロッシング2022

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[Image: Shota Yamauchi "The Planet of Faces (rendering)" (2022) Interactive mixed media installation System engineer: Sone Koki, Hayakawa Shoto 3D modeling: Kato Daisuke Sound: Komatsu Kazumichi]

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[Image: Hisakado Tsuyoshi
"Quantize - Dialogue in Chiangmai"
(2018) Lightbulb, sound, aluminum, wood, programming, electric cable Dimensions variable Installation view: MAM Project 025: Apichatpong Weerasethakul + Hisakado Tsuyoshi, Mori Art Museum, Tokyo, 2018 Photo: Takeru Koroda]

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[Image: Cao Fei "Haze and Fog" (2013) Video 60 min. 46 sec. Courtesy: Vitamin Creative Space, Guangzhou; Sprüth Magers, Berlin/London/Los Angeles]

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[Image: Bob Hsiang Chris Iijima and Joanne Nobuko Miyamoto singing duo in Central Park (February 1971) Courtesy: Bob Hsiang Photography]

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終了間際に訪問。
タイトルの「地球がまわる音を聴く」という言葉に惹かれて行ってみました。

印象深かったのはポスター内の写真にもあるヴォルフガング・ライプの花粉の作品。俯瞰的に日常生活や人間の営みを眺めるような感覚を覚え、"1st things 1st"を思い返しました。

ウェルビーイング

2 1 地球がまわる音を聴く 《第9番 世界と一緒に回らなかった日》

[Image: Kohei Nawa "PixCell-Kannon #7" (2010) Mixed media 100 x 55 x 55cm]

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[Image: José Maceda "Cassettes 100" Cultural Center of the Philippines, Manila, 1971, Courtesy: UP Center for Ethnomusicology, Photo: Nathaniel Gutierrez]

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Chim↑Pom展

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[Image: Tiger Tateishi "Fuji Hi-Way" 1992, oil on canvas, 194 x 194cm]

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[Image: Yang Lu "The Great Adventure of Material World - Game Film" 2020, Video, 25 min. 32 sec.]

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[Image: Cyprien Gaillard "Ocean II Ocean" 2019 High-definition video, sound 10 min. 56 sec. Courtesy: Sprüth Magers, Berlin, London and Los Angeles; Gladstone Gallery, New York and Brussels]

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[Image: Oscar Murillo Installation view: Oscar Murillo: Social Altitude, Aspen Art Museum, CO, US, 2019-2020 Courtesy: Aspen Art Museum Photo: Tony Prikryl]

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[Image: Tsai Charwei "Circle II" 2011 Video, color, silent 56 sec.]

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[Image: Samson Young “Muted Situation #22: Muted Tchaikovsky’s 5th” (2018) Video, 12-channel sound installation 45 min.]

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[Image: Si On “Nobody Cares About Your Misery” (2018) Wooden sculpture and mixed media 196 x 180cm Photo: Konrad Zarebski]

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[Image: Mounira Al Solh “Rawane’s Song” (2006) Video 7 min. 19 sec. Courtesy: Sfeir-Semler Gallery, Beirut/Hamburg]

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[Image: Tala Madani Corner Projection with Prism Refraction and Buckets 2018 Oil on linen (diptych) Left panel: 182.9 x 182.9 cm, right panel: 182.9 x 365.8 cm Courtesy: 303 Gallery, New York Photo: Fredrik Nilsen]

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[Image: Chen Chieh-Jen Factory 2003 Super 16mm transferred to DVD, color, silent 31 min. 9 sec. (loop)]

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[Image: Yokomizo Shizuka Forever (and again) 2003 2-channel video installation 17 min. (loop) Courtesy: WAKO WORKS OF ART, Tokyo Installation view: Forever (and again), IZU PHOTO MUSEUM, Shizuoka, 2018 Photo: Kioku Keizo]

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[Image: Aida Makoto, "The Video of a Man Calling Himself Japan's Prime Minister Making a Speech at an International Assembly" (2014) Video 26 min. 7 sec.]

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[Image: 'Yagi Kazuo carrying the "Walk of Mr. Samsa"' (1954) Gojozaka Kyoto]

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[Image: Fuyuhiko Takata, "Afternoon of a Faun" (2015-2016) Video 5 min. 27 sec. Curation, production support: Bonus, Satoru  Kimura Music: Yoshio Otani]

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[Image: Curtis Tamm, Center for Cellular Alignment, 2017, Sound performance Installation view: “ARCUS Project 2017 IBARAKI Artist-in-Residence Program,” ARCUS Studio, Ibaraki Photo: Kato Hajime Photo courtesy: ARCUS Project Administration Committee, Ibara

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[Image: Ken + Julia Yonetani What the Birds Knew (detail) 2012 Uranium glass, wire, UV light 3 x 3 x 5.2 m Installation view: “What the Birds Knew: Ken + Julia Yonetani,” 4A Centre for Contemporary Asian Art, Sydney, 2012 Photo: Zan Wimberley]

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[Image: Mikhail Karikis, Ain’t Got No Fear, 2016, Video 10 min.]

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[Image: Makoto Aida, "Utility Poles, Crows, Etc." (2012-2013) Acrylic, canvas, panel 360 × 1020cm 

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[Image: Iwasaki Takahiro "Out of Disorder" 2007 Shirt, Dimensions variable, Photo: Kioku Keizo]

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[Image: Camille Henrot "Le Songe de Poliphile / The Strife of Love in a Dream" (2011) video]

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[image: Lee Wen "Strange Fruit" (2003), Exhibited at The National Art Center, Tokyo]

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[Image: Three Shadows Photography Art Centre, Beijing]

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[Imege: N. S. Harsha "Come give us a speech (detail)" (2008) 182.9×182.9 cm]

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[Image: Yoshinori Niwa "Looking for Vladimir Lenin at Moscow Apartments" 2012, Video, 26 min. 14 sec.]

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[Image: teamLab "Crows are Chased and the Chasing Crows are Destined to be Chased as well, Blossoming on Collision - Light in Space" (2016) Interactive digital installation, 4 min. 20 sec., Sound: Takahashi Hideaki]

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[Image: Mari Katayama "you're mine #001"  (2014) 104.8×162cm Private Collection Courtesy of TRAUMARIS]

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[Image: Persistence of Memory #14 2000-01 C-print and linen tape Collection: Larry Warsh, New York]

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[Image: Po Po "Tejo (The Element of Kinetic Energy)" (1985) Oil on canvas 75 × 75 cm]

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[Image: "Robert Chabet, at the University of the Philippines College of Fine Arts" (1983)]

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[Image: Ozawa Tsuyoshi "Jizoing: Ueno Station [Tokyo]" (1988) Lambda print 18.2×15.3cm]

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[Image: Huang Huacheng "Ecole de Great Taipei Autumn Exhibition" Hai Tian Gallery, Taipei (1966) Photo and photo courtesy: Chuang Ling]

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[Image: Bill Viola "Ancient of Days" (1979-1981) Photo: Kira Perov]

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Henri Matisse "Forms from" 1947 Stencil on paper 40.8 x 57.7 cm Collection: The Museum of Modern Art, Kamakura & Hayama 

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[Image: Jacob Kirkegaard in Fukushima, 2014 Photo: Arai Takashi]

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Image: Lee Mingwei "The Mending Project" 2009. Installation view: Lombard-Freid Projects, New York, 2009. Photo: Anita Kan

Mori Art Museum

Roppongi Crossing 2025: What Passes Is Time. We Are Eternal.

MAM Collection 021: Hao Jingban

MAM Project 034: Sonia Boyce

MAM Screen 022: ikkibawiKrrr

Ron Mueck