Mori Art Museum（Roppongi, Nogizaka）

Mori Art Museum

Sou Fujimoto L’Arbre Blanc (The White Tree) 2019 Montpellier, France Photo: Iwan Baan

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Roppongi, Nogizaka

Kinema Junpo Special Edition, Underground ’68 Shock! August, 1968 © Tadanori Yokoo

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マシン・ラブ：ビデオゲーム

Kim Ayoung《Delivery Dancer’s Sphere》 2022 Video 25 min.

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Gabriel Abrantes "Two Sculptures Quarreling in a Hotel Room" 2020 Video, color, sound 1 min. 24 sec.

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Katayama Mari beast 2016 Lambda print, original frame 120 x 120 cm Installation view photo: Kioku Keizo

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Bady Dalloul "A Country without a Door or Windows" (detail) (2016-2024) Ball-point pen and marker on Bristol board, framed in matchbox　Dimensions variable　Installation View: Our World Is Burning, Palais de Tokyo, Paris, 2020　Photo: Aurélien Mole　Photo courtesy: Palais de Tokyo

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蜘蛛の彫刻や、タイトルに地獄が入っていることから、ブルジョアは男だと思っていた。作品は乳房や性器などセクシャルなものが多かったので、女好きな人だったのかと初めは思っていたが、後から作者が女性ということを知り、だいぶ見方が変わった。それでも、作者の頭の中の無意識を具現化したような作品に狂気を見たような感じがして良かった。

「ルイーズ・ブルジョワ展：地獄から帰ってきたところ 言っとくけど、素晴らしかったわ」

[Image: Louise Bourgeois "Maman" (1999/2002) Bronze, stainless steel, marble 9.27 x 8.91 x 10.23m Collection: Mori Building Co., Ltd., Tokyo]

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Haig Aivazian "All of Your Stars Are But Dust on My Shoes" (2021) Video 17 min. 34 sec.

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[Image: Lin Chun-Chi
"Das Glas II (The Glass II)"
(1997)
Video, color, sound
9 min. 14 sec.
Photo: Sandra Liessmann]

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[Image: Kuo I-Fen, Lu Ming-Te
"Silent Body"
(1987)
Performance, 5-channel video (black and white, silent), CRT monitor, branch, and white cloth
Dimension variable
Installation View: Experimental Art: Action Space, Taipei Fine Arts Museum, 1987]

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アフロ民藝、日本の職人とのコラボレーションが興味深い。

最後のミラーボールエリアは楽しかった。
他人の大量の作品など、ちょっと変わった展示で、楽しませていただきました。

シアスター・ゲイツ

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[Image: Nguyen Trinh Thi
"47 Days, Sound-less"
(2024)
3-channnel video, black and white and color, sound, mirrors
30 min.]

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Tanaka Koki
Mobility and Extinction
2024
©Koki Tanaka

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森美術館開館20周年記念展 私たちのエコロジー

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[Image: The Karrabing Film Collective The Mermaids, or Aiden in Wonderland 2018 Video 26 min. 29 sec.]

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[Image: Hiraki Sawa "Hako" (2007), video, color, stereo, 6-channel installation, 12 minutes (loop)]

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[Image: Jinushi Maiko Drawing for Mishearings 2023 Courtesy: HAGIWARA PROJECTS, Tokyo]

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ワールドクラスルーム

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六本木クロッシング2022

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[Image: Shota Yamauchi "The Planet of Faces (rendering)" (2022) Interactive mixed media installation System engineer: Sone Koki, Hayakawa Shoto 3D modeling: Kato Daisuke Sound: Komatsu Kazumichi]

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[Image: Hisakado Tsuyoshi
"Quantize - Dialogue in Chiangmai"
(2018) Lightbulb, sound, aluminum, wood, programming, electric cable Dimensions variable Installation view: MAM Project 025: Apichatpong Weerasethakul + Hisakado Tsuyoshi, Mori Art Museum, Tokyo, 2018 Photo: Takeru Koroda]

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[Image: Bob Hsiang Chris Iijima and Joanne Nobuko Miyamoto singing duo in Central Park (February 1971) Courtesy: Bob Hsiang Photography]

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[Image: Cao Fei "Haze and Fog" (2013) Video 60 min. 46 sec. Courtesy: Vitamin Creative Space, Guangzhou; Sprüth Magers, Berlin/London/Los Angeles]

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[Image: Kohei Nawa "PixCell-Kannon #7" (2010) Mixed media 100 x 55 x 55cm]

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終了間際に訪問。
タイトルの「地球がまわる音を聴く」という言葉に惹かれて行ってみました。

印象深かったのはポスター内の写真にもあるヴォルフガング・ライプの花粉の作品。俯瞰的に日常生活や人間の営みを眺めるような感覚を覚え、"1st things 1st"を思い返しました。

ウェルビーイング

2 1 地球がまわる音を聴く 《第9番 世界と一緒に回らなかった日》

[Image: Tiger Tateishi "Fuji Hi-Way" 1992, oil on canvas, 194 x 194cm]

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[Image: Yang Lu "The Great Adventure of Material World - Game Film" 2020, Video, 25 min. 32 sec.]

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Chim↑Pom展

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[Image: José Maceda "Cassettes 100" Cultural Center of the Philippines, Manila, 1971, Courtesy: UP Center for Ethnomusicology, Photo: Nathaniel Gutierrez]

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[Image: Cyprien Gaillard "Ocean II Ocean" 2019 High-definition video, sound 10 min. 56 sec. Courtesy: Sprüth Magers, Berlin, London and Los Angeles; Gladstone Gallery, New York and Brussels]

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[Image: Tsai Charwei "Circle II" 2011 Video, color, silent 56 sec.]

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[Image: Oscar Murillo Installation view: Oscar Murillo: Social Altitude, Aspen Art Museum, CO, US, 2019-2020 Courtesy: Aspen Art Museum Photo: Tony Prikryl]

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[Image: Si On “Nobody Cares About Your Misery” (2018) Wooden sculpture and mixed media 196 x 180cm Photo: Konrad Zarebski]

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[Image: Mounira Al Solh “Rawane’s Song” (2006) Video 7 min. 19 sec. Courtesy: Sfeir-Semler Gallery, Beirut/Hamburg]

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[Image: Samson Young “Muted Situation #22: Muted Tchaikovsky’s 5th” (2018) Video, 12-channel sound installation 45 min.]

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[Image: Chen Chieh-Jen Factory 2003 Super 16mm transferred to DVD, color, silent 31 min. 9 sec. (loop)]

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[Image: Yokomizo Shizuka Forever (and again) 2003 2-channel video installation 17 min. (loop) Courtesy: WAKO WORKS OF ART, Tokyo Installation view: Forever (and again), IZU PHOTO MUSEUM, Shizuoka, 2018 Photo: Kioku Keizo]

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[Image: Tala Madani Corner Projection with Prism Refraction and Buckets 2018 Oil on linen (diptych) Left panel: 182.9 x 182.9 cm, right panel: 182.9 x 365.8 cm Courtesy: 303 Gallery, New York Photo: Fredrik Nilsen]

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[Image: 'Yagi Kazuo carrying the "Walk of Mr. Samsa"' (1954) Gojozaka Kyoto]

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[Image: Aida Makoto, "The Video of a Man Calling Himself Japan's Prime Minister Making a Speech at an International Assembly" (2014) Video 26 min. 7 sec.]

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[Image: Fuyuhiko Takata, "Afternoon of a Faun" (2015-2016) Video 5 min. 27 sec. Curation, production support: Bonus, Satoru  Kimura Music: Yoshio Otani]

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[Image: Ken + Julia Yonetani What the Birds Knew (detail) 2012 Uranium glass, wire, UV light 3 x 3 x 5.2 m Installation view: “What the Birds Knew: Ken + Julia Yonetani,” 4A Centre for Contemporary Asian Art, Sydney, 2012 Photo: Zan Wimberley]

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[Image: Curtis Tamm, Center for Cellular Alignment, 2017, Sound performance Installation view: “ARCUS Project 2017 IBARAKI Artist-in-Residence Program,” ARCUS Studio, Ibaraki Photo: Kato Hajime Photo courtesy: ARCUS Project Administration Committee, Ibara

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[Image: Mikhail Karikis, Ain’t Got No Fear, 2016, Video 10 min.]

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[Image: Makoto Aida, "Utility Poles, Crows, Etc." (2012-2013) Acrylic, canvas, panel 360 × 1020cm 

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[Image: Camille Henrot "Le Songe de Poliphile / The Strife of Love in a Dream" (2011) video]

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[image: Lee Wen "Strange Fruit" (2003), Exhibited at The National Art Center, Tokyo]

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[Image: Three Shadows Photography Art Centre, Beijing]

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[Image: Iwasaki Takahiro "Out of Disorder" 2007 Shirt, Dimensions variable, Photo: Kioku Keizo]

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[Image: Yoshinori Niwa "Looking for Vladimir Lenin at Moscow Apartments" 2012, Video, 26 min. 14 sec.]

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[Imege: N. S. Harsha "Come give us a speech (detail)" (2008) 182.9×182.9 cm]

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[Image: teamLab "Crows are Chased and the Chasing Crows are Destined to be Chased as well, Blossoming on Collision - Light in Space" (2016) Interactive digital installation, 4 min. 20 sec., Sound: Takahashi Hideaki]

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[Image: Mari Katayama "you're mine #001"  (2014) 104.8×162cm Private Collection Courtesy of TRAUMARIS]

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[Image: Po Po "Tejo (The Element of Kinetic Energy)" (1985) Oil on canvas 75 × 75 cm]

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[Image: "Robert Chabet, at the University of the Philippines College of Fine Arts" (1983)]

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[Image: Persistence of Memory #14 2000-01 C-print and linen tape Collection: Larry Warsh, New York]

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[Image: Ozawa Tsuyoshi "Jizoing: Ueno Station [Tokyo]" (1988) Lambda print 18.2×15.3cm]

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Henri Matisse "Forms from" 1947 Stencil on paper 40.8 x 57.7 cm Collection: The Museum of Modern Art, Kamakura & Hayama 

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[Image: Huang Huacheng "Ecole de Great Taipei Autumn Exhibition" Hai Tian Gallery, Taipei (1966) Photo and photo courtesy: Chuang Ling]

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[Image: Bill Viola "Ancient of Days" (1979-1981) Photo: Kira Perov]

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[Image: Jacob Kirkegaard in Fukushima, 2014 Photo: Arai Takashi]

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Image: Lee Mingwei "The Mending Project" 2009. Installation view: Lombard-Freid Projects, New York, 2009. Photo: Anita Kan

Mori Art Museum

MAM Research 011: Tokyo Underground 1960-1970s - A Turning Point in Postwar Japanese Culture

Machine Love: Video Game, AI and Contemporary Art

MAM Screen 021: Gabriel Abrantes

MAM Collection 019: Viewpoint - Haruki Maiko, Katayama Mari, Yoneda Tomoko

The Architecture of Sou Fujimoto: Primordial Future Forest